Concept
Failure to Control Fire
Arson
Failure to Control Fire
The offenses covered so far punish a person for lighting a fire or for creating danger by doing so. Model Penal Code § 220.1(3) reaches a different kind of conduct, an omission. A person who knows that a fire is endangering life or a substantial amount of property of another, and who fails to take reasonable measures to put out or control the fire when the person can do so without substantial risk to the actor, or fails to give a prompt fire alarm, commits a misdemeanor if one of two connections to the fire is present.1 The provision departs from the usual rule that the criminal law imposes no general duty to act, under which a person who watches a harm unfold and does nothing is ordinarily not liable. Because that departure is unusual, the offense is hedged with conditions that confine it to people who can fairly be expected to respond, and it carries only a misdemeanor grade, well below the felony grade of reckless burning.
The first three steps ask about knowledge, ability, and omission, and most people who watch a dangerous fire will satisfy them. The fourth step therefore decides most fact patterns, and it is the step that keeps the offense from reaching every onlooker.
Each condition has its own reason. The knowledge requirement ties liability to a choice, because a person who has not perceived the fire has nothing to respond to, and punishing that person would amount to punishing inattention. The threshold of life or a substantial amount of property of another screens out small fires that threaten little, which reserves a criminal sanction for danger serious enough to justify demanding action. The qualifier about substantial risk to the actor keeps the obligation within ordinary human limits, since a misdemeanor for refusing to walk into flames would punish self-preservation. The fire alarm appears as its own alternative, so a person who cannot safely fight the fire is still expected to summon people who can.2
The connection requirement does the most to limit the offense, and the reason is that liability for failing to act needs some basis for holding this person responsible rather than anyone else who could have helped. Without it, every passerby who saw a burning building and kept walking would commit a crime, and the offense would become a general duty of rescue. The provision instead looks to two kinds of connection, one grounded in a legal duty to combat the fire and the other grounded in the actor's relationship to the fire or to the place where it burns. A person with no such tie is not liable, however easy it would have been to help. The two connections are taken up in turn below, beginning with the legal duty.
The first two scenes hold the fire, the knowledge, and the omission constant and move only with the actor's connection to the fire. The third scene holds the connection constant and moves with the danger the actor would have to face in order to act. On an exam stem, the trap is assuming that anyone who watches a fire and does nothing has committed this offense, when the provision applies only to an actor with a legal duty or a tie to the fire. The opposite error is to require that the actor started the fire unlawfully, since a fire started lawfully, or one burning on property in the actor's custody or control, can still support liability.
Legal Duty to Combat Fire
The first of the two connections that § 220.1(3) recognizes is a legal duty. Under paragraph (a), the omission is criminal when the actor knows that he is under an official, contractual, or other legal duty to prevent or combat the fire.4 The three labels name different sources of one thing, an obligation to deal with fire that exists apart from the fire in front of the actor. An official duty belongs to someone whose public position includes fire response, a contractual duty belongs to someone hired to protect a place or its contents, and the catch-all for other legal duties reaches obligations that arise from some other source of law. Because the text requires that the actor know of the duty, the prosecution has to show that the actor was aware of the obligation, and a duty the actor never learned about does not satisfy the paragraph.
The reason a duty can justify punishing an omission lies in what the duty does to everyone else. A person who has undertaken responsibility for a particular danger becomes the one on whom owners, neighbors, and occupants rely, and that reliance leads them to forgo precautions of their own. A warehouse owner who has hired a guard does not stand watch at night. When the guard sees the fire grow and does nothing, the guard has failed the very task that displaced everyone else's vigilance, which is a culpability a stranger's inaction does not share. The duty also supplies the link the offense needs, since it makes the omission attributable to this actor rather than to every person who could have helped.
A duty alone does not complete the offense, because the lead-in elements still apply. The actor must know that a fire is endangering life or a substantial amount of property of another, and must fail either to take reasonable measures to put out or control the fire or to give a prompt fire alarm.5 The qualifier that the actor must be able to act without substantial risk to himself also remains in force, so a duty to combat fire does not require anyone to enter flames that would endanger the actor.
The first two scenes hold the fire, the knowledge, and the omission constant and move only with the actor's duty. The third scene holds the duty constant and moves with the risk the actor would face in acting. On an exam stem, the trap is treating an ability to help as if it were a duty. The fact that a person could easily douse the fire shows only that the lead-in's ability element is met, and liability under this paragraph still requires an official, contractual, or other legal duty that the actor knew of. The opposite mistake is to read the duty as a demand for heroics, which ignores the safety qualifier in the lead-in.
Fire Started or Controlled by Actor
The second connection that § 220.1(3) recognizes turns on the actor's relationship to the fire itself, where the first connection turned on a duty the actor knew of. Under paragraph (b), the omission is criminal when the fire was started, albeit lawfully, by the actor or with the actor's assent, or when it is burning on property in the actor's custody or control.7 The paragraph thus offers two routes to the same result. One looks to the fire's origin and covers the person who lit the fire or allowed someone else to light it. The other looks to the place where the fire burns and covers the person who has charge of the property, even though someone or something else set the fire. Either route supplies the connection, and the lead-in elements then apply in full. The actor must know that the fire is endangering life or a substantial amount of property of another, and must fail to take reasonable measures to control it when able to do so without substantial risk, or fail to give a prompt fire alarm.8
The express reference to a lawful start shows what this offense punishes. Liability attaches to the failure to respond once the fire has become dangerous, and the manner in which the fire began does not alter that failure. A person who burns leaves under a permit, tends a campfire in a designated ring, or sets a controlled burn on a field has done nothing criminal by lighting the fire, yet that person stands in a different position from a stranger when the fire escapes. The person who lit it knows where it is, how it was set, and what equipment is at hand, and neighbors expect that person to deal with it before they would expect anyone else to. The paragraph therefore demands a response from those responsible for the danger and leaves the mere onlooker alone, which is how the offense avoids becoming a general duty of rescue.
Each route has its own logic. The starter prong rests on responsibility for the danger, and the words about the actor's assent close an obvious gap, because without them a landowner could escape the paragraph by having a hired worker strike the match while the landowner stood by. The custody-or-control prong rests on responsibility for the place. The person in charge of a property usually holds the practical means of response: the keys, the shutoffs, the knowledge of the premises, and the ability to admit firefighters. The text speaks of custody or control and not of title, so the question is who has the property in hand when the fire burns, and a tenant or caretaker can qualify.
The first two scenes hold the fire, the knowledge, and the omission constant and move only with the actor's connection to the fire. The third scene shows that assent and control can supply the connection without any act of lighting, and the fourth holds the connection constant and moves with the risk the actor would face in acting. On an exam stem, the first question is how the actor is tied to the fire, and the trap is treating a lawful start as if it ended the analysis, when the paragraph expressly reaches a fire started albeit lawfully. The opposite error is to read paragraph (b) as a duty of every onlooker, or to add elements it lacks, such as ownership of the property, an intent that the fire spread, or an unlawful lighting. Reckless burning under § 220.1(2) asks how the fire was started and what danger the actor consciously created. This offense asks what the actor did after learning of the danger, so a careful and lawful lighting can still lead to liability here when the actor stands by. An actor who both lit the fire and bears a legal duty satisfies both paragraphs, but either one is enough.